Co-Lab Projects Presents: Cowboy XMAS Part Deux
Co-Lab Projects Presents:
Cowboy XMAS Part Deux
Membership Drive and FUNdraiser: Saturday, December 7th, 7-11pm
Members get in free, sliding scale tickets available for non-members starting at $10
On December 7th we are ringing in the holidays with an anti-soiree, part two continuing the thread from last year's holiday party, a Cowboy Christmas-themed casual fundraiser and membership drive benefitting our spring programs.
Featuring our group exhibition “Collective Tales in a Concrete Garden”, live music by your favorite local acts, Lazy Suzanne on the mic, visuals by hyperreal film club, Christmas Carol Karaoke with KJ Rebecca Marino, food by Shhmaltz, a charity cheer bar sponsored by Austin Beerworks, LALO Tequila, Tito's Handmade Vodka, and more TBA!
Similar to our past FUNdraisers, all funds raised — whether from new memberships, tickets to the event, bar donations, or food sales — will be matched by one of our generous donors, community business partners, or event sponsors! It’s all the fun of a holiday party while doubling your donations and impact, which means the more you give the more we are able to support artists in our community and continue delivering the programming y’all know and love.
Over the past 16 years, Co-Lab has produced 400+ exhibitions and performances showcasing hundreds of local, national, and international artists. In addition to its primary programming, Co-Lab is an established and revered gathering space for community building through its free educational programs, events, collaborations, and participation in regional and international fairs and festivals.
We look forward to continuing this work with your support! Help us help artists by coming out to the event on December 7th! To get involved, donate, or contribute to this holiday fundraiser please write us at hello@co-labprojects.org!
Cheers,
The Co-Lab Team
About the Mural:
Marco Rountree
Untitled (Juan falling from an horse), 2024
Obsidian rock and glue on wall
This drawing is inspired by a scene from a Juan O’Gorman painting. It depicts a man who has fallen from his horse but is entangled and being dragged. While the original painting is a detailed landscape filled with mountains and vegetation, this interpretation isolates the figures of the man and horse. The scene is set against a stylized horizon with a sun to create a cinematic feel, and the piece is crafted with obsidian rock glued onto the wall.